Why vertical changes the story
A landscape frame invites the eye to wander left and right. A vertical frame stacks information: foreground at the bottom, subject in the middle, destination at the top. That is why a simple reveal, fall, turn, or rise reads so well on a phone and so poorly when cropped from a wide shot.
Plan for the final shape from the first generation. Use 9:16, keep the subject inside the central column, and leave the top and bottom for platform overlays. A clip that already feels vertical needs fewer fixes after download.
The one-second rule: The opening frame must show a subject, a change, or a question. If the first second is only a camera move through empty space, the viewer has no reason to wait for the payoff.


